Page refresh: how the internet is transforming the novel by Olivia Sudjic

Towards the end of 2020, a year spent supine on my sofa consuming endless internet like a force-fed goose, I managed to finish a beautifully written debut novel: Open Water by Caleb Azumah Nelson, which comes out next month. And yet despite the entrancing descriptions, I could barely turn two pages before my hand moved reflexively toward the cracked screen of my phone. Each time I returned to the novel I felt ashamed, and the shame only grew as I realised that, somehow, though the story was set in the present, and involved an often long-distance romance between two young people with phones, it contained not one single reference to what by then I considered a hallmark of present-day humanity: mindless scrolling through social media.

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