Daisy Johnson: ‘It’s not an easy time to be looking at yourself or other people’

Daisy Johnson and I are talking about compost. She never thought she’d write about the Fens, she explains, but she ended up revisiting her childhood landscape in her debut book, a short story collection that won the Edge Hill short story prize. She also didn’t anticipate reworking the Oedipus myth that had so enthralled her in her schooldays, but it formed the bedrock of her first novel, 2017’s Everything Under, which made her the youngest writer, at 27, to be shortlisted for the Booker prize. “Maybe it’s just time,” she ruminates, “and maybe the things I’m reading now will circle back in 10, 20 years … I sometimes think of ideas as a sort of composting and that they just need to compost for long enough, and then you can think about them and write about them.”

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